crc.studio:
A design & development studio
グラフィックデザインとプログラミング Contact us: hello@crc.studio Instagram, Pinterest, GitHub, Oripeau, Lab, News. 2019 — 2026 | crc.studio, All rights reserved.
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crc.studio @crc.studio
A design & development studio
グラフィックデザインとプログラミング
Visual identities, websites, posters, books, packaging or merchandise.
Based in France — Nantes.
crc.studio
[CRC●LOG] Yoko, half of crc.studio, is featured on the TocToc YouTube channel. A conversation bridging her graphic design practice and her ceramic work.

toctoc 巡る暮らしとヨーロッパさん、ありがとうございました。

● More: youtu.be
● More: mytoctoc222.com
A photo of Yoko Homareda arranging her ceramic-inspired graphic prints on a wooden floor, showcasing colorful textured patterns and speech-bubble shapes alongside her art supplies.
[CRC●LOG] crc.studio designed a poster and social media kit for Yoko Homareda's pop-up at MY'S, featuring a collaboration between a ceramicist and a florist, 2026.


● FOR: MY'S & Yoko Homareda
● TYPEFACES: Helvetica Now & Da Vinci
● MORE: crc.studio


____________
#socialmedia #editorialdesign #poster #graphicdesign #posterdesign #artdirection #helveticanow #davinci
A poster for Yoko Homareda’s Growing Sculpture pop-up at MY’S in June 2026, featuring white ceramic sculptures and floral arrangements against a blurred green background with bold yellow typography in Helvetica Now and Da Vinci.
A promotional image for a collaboration between ceramicist Yoko Homareda and florist MY’S, displaying sculptural vases with flowers, event dates, and social media handles in a vibrant yellow and green design by crc.studio.
[FR] Si d'aventure vous trouvez quelque chose de beau, ou d'étrange ou d'intriguant pendant vos recherches, s'il vous plait partagez-le (ci-dessous ou ailleurs).

[EN] If you find something beautiful, strange, or intriguing during your research, please, share it.
[SPOTTED] A special page dedicated to typography on Gallica, the digital library of the Bibliothèque nationale de France (BnF) and its partners.

Love "old" colours and compositions; so contemporary.

The UX isn't exactly friendly, but stick with it. That's how you find the real treasures.

● More: gallica.bnf.fr
● Via: linkedin.com
A grid of vintage French posters from the Gallica archive, featuring Art Nouveau and Art Deco typography with bold colors and illustrative compositions.
A photo of an open book page displaying a stylized, red-toned illustration of a cathedral exterior, showcasing historic graphic design techniques.
[CRC●LOG] Sunday night: Tonal update. Fixed a 4–6s loading lag on desktop. Culprit: the unupdated get_ico() function facing our now 300+ Monico icons.

Result: 200 colors × 3 icons × 300 icons = 120,000+ disk calls 💥 Fix: new get_ico() reduces this to one call. Tonal loads instantly; new features ready.

● More: lab.crc.studio
● More: lab.crc.studio
A grid display of the Monico icon pack, featuring 300+ black-and-white vector icons on a dark background. The collection includes UI essentials, arrows, media controls, social symbols, and system indicators, all designed in a consistent, modular style for web and app integration.
A screenshot of the Tonal color manager interface on a laptop screen. It displays the "Les Ailleurs — Boréal" palette with three time-based variations (Nocture, Éveil, Grande Noirceur) showing HSL/HEX values at the top, and the full 16-color spectrum with editing controls below.
[OFF●TOPIC] Affinity doesn’t support RTL (Right to Left).
A huge limitation for multilingual projects.

Hard to work with Arabic, Hebrew, Persian, Urdu, etc.
Same for vertical text: Chinese, Korean, Japanese, etc.

● More: affinity.studio
A screenshot of the typography spread from the upcoming Aww brandbook, showcasing open-source typefaces selected for multilingual support including Arabic, Hebrew, and CJK scripts.
[SPOTTED] Neue Television, a variable typeface originally designed by Klaus Richter in 1975 and updated by Gabriel Richter in 2023 for Nice to Type.

Love it.

● More: nicetotype.jp
● More: gabrielrichter.de
● More: fontsinuse.com
[BOOK●INDEX] #004, #005 & #006
Plain text 1 (2025)
Plain text 2 (2025)
Plain text 3 (2026)

Edited by Plain Form, a project fueled by Lucas Descroix & Benjamin Dumond.

Just received volume 3.
Probably the best type review currently available.
It's really cool to dig into it, discover new names, and find new typefaces.

● More: text.plain-form.com
● More: plain-form.com
A photo of the Plain Text volume 1 magazine cover, showcasing a high-contrast textured illustration and purple typographic elements on black, laid on a solid orange background.
A poster design by Plain Form for Plain Text volume 2, displaying chaotic white line art and bold green lettering on a black background, presented on a bright orange backdrop.
A photo of the cover of Plain Text volume 3, featuring abstract red and white typography distorted with a glitch effect on a black background, set against a vibrant orange surface.
Fragments A part of the ToolToys™ collection by crc.studio

crc.studio built Fragments,
a vault, to gather and preserve
what we don’t want to lose.

What remains of our memories when everything shifts? When Twitter becomes X. When open-source projects fade. When blogs disappear. What happens to our words when instances close? When yesterday’s networks are abandoned for new ones?

Fragments gathers these notes in one place. Designed and developed in-house. Sheltered from the shifting desires of others.

Easy Import

Simply request your data from X, Threads, Bluesky, or Mastodon and provide the files to Fragments. The tool automatically extracts and formats your content, keeping everything private and secure.

Fully Self-Hosted

Run Fragments on your own server. 100 % control over your data.

No Database

Fragments requires no database. Lightweight, fast, and simple.

Memory Vault

Designed to preserve what you don’t want to lose. Your notes, posts, and text are safe. Built with technologies meant to last for years without maintenance. No dependencies.